There is much debate on how artificial intelligence will impact society in the years to come, though Blade Runner director Ridley Scott has a pretty bleak outlook, comparing it to a "hydrogen bomb." The 85-year-old didn't mince his words on the matter in an interview with Deadline where he expressed his thoughts on the continuous advancement of this new technology ahead of the release of his latest film Napoleon. "...the moment you create an AI that’s smarter than you are, you’ll never know until the AI decides to do its own thing, then you’re out of control," he explained. "If I had an AI box, I could say, 'I want you to figure out how to turn off all the electricity in London'. Bam. Everything was dead. "That's a f**king time … no, it's a hydrogen bomb," he said when asked if AI is something to be worried about. “The world would close down if I switch it off, and we are all completely f**ked." "We're back to candles and matches. "Do you have candles and matches at home? I live in France, so I do.” Meanwhile, Scott isn't the first legendary director to voice concerns about artificial intelligence, as James Cameron has also previously spoken out on this issue. “I think the weaponization of AI is the biggest danger,” he told CTV News back in July this year. “I think that we will get into the equivalent of a nuclear arms race with AI, and if we don’t build it, the other guys are for sure going to build it, and so then it’ll escalate." The 69-year-old also referenced how he issued a warning about this through one of his previous films The Terminator which sees a cyborg assassin played by Arnold Schwarzenegger. “I warned you guys in 1984! And you didn’t listen," he added. How to join the indy100's free WhatsApp channel Sign up to our free Indy100 weekly newsletter Have your say in our news democracy. Click the upvote icon at the top of the page to help raise this article through the indy100 rankings

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A New Yorker piece has gained a lot of attention after revealing that American comedian Hasan Minhaj made-up a lot of the stories at the centre of his comedy, and fans are outraged. Minjah, an Asian American and Muslim American, based a lot of his comedy around those experiences, and his Netflix series Patriot Act won an Emmy. Speaking to writer Clare Malone, Minjah told her "every story in my style is built around a seed of truth". In a Patriot Act segment Minhaj tells the disturbing story of a letter sent to him filled with a white powder that spilled onto his young daughter, who was subsequently rushed to hospital. It turned out not to be anthrax, but served as a reminder of the consequences of Minhaj's comedy. But Malone did some digging and found at there is no record of such an incident. Not from the NYPD, local hospitals, or front-desk and mailroom employees at Minaj's former residence. During her conversation with Minhaj, he admitted that "his daughter had never been exposed to a white power, and that she hadn't been hospitalised". He told Malone that he didn't think he was manipulating his audience when she asked, "It's grounded in truth," he said. Another well known story of Minhaj is from his 2017 Netflix special Homecoming King, where he talks of a white girl he had a crush on, kissed, and invited to prom, only to show up the night of the dance to the girl going to prom with another guy. Onstage, Minhaj said that the girl's parents didn't want their daughter to take pictures with a brown boy because they were concerned what relatives may think. "I didn't know that people could be bigoted even as they were smiling at you," Minhaj says during the show. But the woman in the story disputes it, saying that she had turned down Minhaj, then a close friend, days before prom. Minhaj admitted this was correct, but said he had a different understanding go her rejection and there was an "emotional truth" to the story. The woman also shared that she had faced online threats and doxing for years after Minhaj failed to successfully disguise her identity. According to some former Patriot Act employees, members of the research team felt he could be dismissive of the fact-checking process. Malone reported that, "in one instance, Minhaj grew frustrated that fact-checking was stymying the creative flow during a final rewrite, and a pic of female researchers were asked to leave the writers' room." In a written statement, Minhaj insisted that "fact-checking at Patriot Act was extremely rigorous". When fans and viewers of Minhaj's content read Malone's piece, they were shocked and appalled. Some called his ego "terrifying", whilst others said it is "not okay to make up instances of threat over journalism". Sign up to our free Indy100 weekly newsletter Have your say in our news democracy. Click the upvote icon at the top of the page to help raise this article through the indy100 rankings.

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