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The BBC has announced a review into Russell Brand’s time at the corporation amid the rape and sexual assault allegations made against the comedian. The broadcaster also said on Tuesday that it was removing some content featuring the 48-year-old from its iPlayer and Sounds apps which “now falls below public expectations”. An episode of comedy panel show QI and a Joe Wicks podcast, both featuring Brand as a guest, have been removed, the PA news agency understands. YouTube had earlier announced that the Google-owned company has stopped Brand making money on its platform because he was “violating” its “creator responsibility policy”. Brand has strongly denied the allegations, which also include claims of controlling, abusive and predatory behaviour. A spokesperson for podcasting platform Acast confirmed to PA on Tuesday that advertisements were turned off “immediately” for Brand’s Under The Skin podcast following the allegations. In a long-arranged Q and A with BBC staff on Tuesday, the corporation’s director general Tim Davie was quizzed about how it was responding following accusations about Brand’s time on BBC Radio 2 and BBC Radio 6 Music between 2006 and 2008. The Times reported on Monday that a woman claims Brand used the BBC’s car service to pick her up from school when she was 16 so she could visit his home. Mr Davie said he hopes a review, led by BBC’s director of editorial complaints Peter Johnston, will give an “initial report in weeks, not months” and added that “the objective is to be totally transparent”. He also said: “The review will also look at the position regarding any cars used by the BBC at that time – because that was obviously something that, again, in a powerful testimony, was mentioned.” The news comes after the remaining shows of Brand’s Bipolarisation tour were postponed and the Metropolitan Police said it had received a report of an alleged sexual assault in the wake of media allegations. According to Companies House, Brand on Tuesday resigned as a director of both performing arts business One Arm Bandit and filming company Mayfair Film Partnership. Mr Davie has said the broadcasting industry needs to be “very vigilant” following questions being raised about the wider TV industry – which he also said had “faced significant” power imbalance issues in the past. It comes as the Commons Culture, Media and Sport Committee chairwoman Dame Caroline Dinenage has written to the BBC, Channel 4 and TikTok to request further details on what actions they are taking in response to the allegations – and to GB News in relation to their coverage of the claims. The letters also requested updates on the investigation being conducted by Banijay UK, which bought Endemol, the company commissioned by Channel 4 to produce the Big Brother spin-off shows Brand hosted, into his behaviour while he was working on its programmes. Mr Davie also said: “I do think we’re in a different place, over 15 years. When I listened back, frankly, to some of those broadcasts I think, that is just completely unacceptable. What led to that being on air? “I just look at that stuff and I say there is no way I will listen to that, there’s no way I accept it. We have to be clear about that together, that we will not accept that.” Brand has been accused of rape, assault and emotional abuse between 2006 and 2013, when he was at the height of his fame and working for the BBC, Channel 4 and starring in Hollywood films, following a joint investigation by The Times, Sunday Times and Channel 4’s Dispatches. In the documentary, footage was shown of the actor making comments about female BBC staff on his radio show. Brand’s YouTube account, which has 6.6 million subscribers, has been suspended from YouTube’s Partner account “following serious allegations against the creator”, meaning the channel is no longer able to make money from advertising on the platform. In a statement, YouTube said the decision applied to all channels that may be “owned or operated” by Brand, adding: “If a creator’s off-platform behaviour harms our users, employees or ecosystem, we take action to protect the community.” Brand still has a presence on video platform Rumble, where his channel has 1.4 million followers and he hosts a weekly live show at 5pm BST, but there was no new episode on Monday. His most recent video on Rumble is the short clip from Friday denying the allegations and saying he has been “promiscuous” but that all of his relationships have been “consensual”. Dame Caroline has asked TikTok’s director of government relations, Theo Bertram, whether Brand could monetise his posts on the video sharing platform, where he has 2.3 million followers. The committee chairwoman also asked “what the platform is doing to ensure that creators are not able to use the platform to undermine the welfare of victims of inappropriate and potentially illegal behaviour”. Dame Caroline also wrote to GB News chief executive Angelos Frangopoulos over presenter Beverley Turner supporting Brand in a tweet over the weekend and defending him on her show on Monday morning. She acknowledged Turner was challenged on the programme but remained “concerned that having a presenter so clearly supporting an individual who is the subject of intense media coverage, including seeking their appearance on the show, undermines any perception of due impartiality in the broadcasting”. Read More Charity boss speaks out over ‘traumatic’ encounter with royal aide Ukraine war’s heaviest fight rages in east - follow live BBC removes some Russell Brand content as monetisation suspended on YouTube Google Bard can now link to Gmail and other apps to help with responses How does Russell Brand make money online?

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After weeks of high-budget lurid pink publicity, it’s easy to forget that Barbie director Greta Gerwig is the indie writer and producer behind Frances Ha, Little Women and Lady Bird. Now, Gerwig has revealed the films that inspired the candy coloured sensation. One of the most prominent influences is The Wizard of Oz, the 1939 Judy Garland classic which a US Library of Congress exhibition described as “America's greatest and best-loved home-grown fairytale”. Gerwig said during her interview with Letterboxd it is an “extraordinary, beloved” movie. “It does something which I wanted to emulate which is these incredible sound stages and these painted skies, and this sense of authentically artificial, which I think is very beautiful and emotional. Sign up to our free Indy100 weekly newsletter “In our movie we have the pink brick road instead of the yellow brick road … and we executed it like they would have done in the 30s and 40s.” However, another important influence is a less obvious one: The Umbrellas of Cherbourg, a 1964 musical romantic drama film written and directed by French movie icon Jacques Demy. Greta Gerwig’s Official Barbie Watchlist www.youtube.com The film centres around two young lovers in the French city of Cherbourg, separated by war. It is entirely sung-through, similar to a musical or an opera. Gerwig said she “loved the use of colour” in the film. “The surrealness of the colour was a big part of it”, she added, saying that Barbie’s use of “five different shades of pink or red in one shot and not have it overwhelm anything” was influenced by the film. Other films on the list of influences include Saturday Night Fever, The Truman Show and The Godfather (yep, you read that right). Of Saturday Night Fever, she said: “I always had a sense of wanting this to be a movie with an amazing soundtrack. “Saturday Night Fever obviously has this incredible soundtrack by The Bee Gees. I had watched a documentary about them and was so touched by The Bee Gees and Barbie seemed so disco to me. Actually in her heart. Because Barbie and disco are a little bit dorky, in the best way. “It had that quality and Saturday Night Fever was a kind of movie that was driven by music but was not a musical.” The whole list is as follows: The Wizard of Oz The Umbrellas of Cherbourg Saturday Night Fever The Bee Gees: How Can You Mend a Broken Heart The Godfather Grease 2001: A Space Odyssey The Truman Show The Young Girls of Rochefort Oklahoma! Model Shop An American in Paris Singin' in the Rain The Red Shoes A Matter of Life and Death All That Jazz Heaven Can Wait Women on the Verge of a Nervous BreakDown His Girl Friday The Philadelphia Story Gold Diggers of 1935 Twentieth Century The Ladies Man Rear Window And the Ship Sails On Wings of Desire The Earrings of Madame de… Close Encounters of the Third Kind Modern Times Pee-wee’s Big Adventure Mon Oncle PlayTime Splash Have your say in our news democracy. Click the upvote icon at the top of the page to help raise this article through the indy100 rankings.

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