Tom Hanks claims an AI version of him was used in a dental plan advert without his consent
Tom Hanks has warned fans to "beware" of a new advert in which he apparently stars. The Hollywood actor revealed that while the "man" in the ad may look like him, it's all just a trick of artificial intelligence. Hanks has previously been vocal with his concerns about AI and how it might make use of famous figures. Now, it seems his concerns were valid. In a post to Instagram, Hank shared a screenshot of the ad, with overlaid text reading: “BEWARE!! There’s a video out there promoting some dental plan with an AI version of me. I have nothing to do with it.” It comes amid the ongoing strikes in Hollywood in which both actors and writers have expressed concerns about AI and its potential impact on their jobs. Speaking on British comedian Adam Buxton’s podcast, recorded on 18 April, days before the Hollywood writers’ strike began, Hanks discussed the use of AI in the industry. “We saw this coming. We saw that there was going to be this ability to take zeros and ones inside a computer and turn it into a face and a character," he explained. "Now that has only grown a billionfold since then, and we see it everywhere. “I can tell you that there [are] discussions going on in all of the guilds, all of the agencies, and all of the legal firms to come up with the legal ramifications of my face and my voice – and everybody else’s – being our intellectual property. “Right now if I wanted to, I could get together and pitch a series of seven movies that would star me in them in which I would be 32 years old from now until kingdom come. Anybody can now recreate themselves at any age they are by way of AI or deepfake technology.” He added that he was concerned his likeness could be used in the future after he’s gone. Hanks said: “I could be hit by a bus tomorrow, and that’s it, but performances can go on and on and on and on. And outside of the understanding that it’s been done with AI or deepfake, there’ll be nothing to tell you that it’s not me and me alone. “And it’s going to have some degree of lifelike quality. That’s certainly an artistic challenge, but it’s also a legal one.” The US writers’ strike ended last week after five months, following an agreement being reached between The Writers Guild of America and the major Hollywood studios. However, the actors’ strike remains ongoing. Sign up to our free Indy100 weekly newsletter Have your say in our news democracy. Click the upvote icon at the top of the page to help raise this article through the indy100 rankings.
2023-10-02 20:29
'Too Hot to Handle' Season 5: Who is Elys Hutchinson? Fashion model all set to captivate men with 'banging pair of t**s'
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Gabrielle ‘Coco’ Chanel was the first superstar fashion designer, says curator of V&A exhibition
As well as introducing groundbreaking garments for women, Gabrielle ‘Coco’ Chanel embodied her brand in a way no other designer had done before, a new exhibition highlights. Gabrielle Chanel. Fashion Manifesto – at London’s V&A Museum – traces the life and work of the famed French designer, who was born in the Loire Valley in 1883 and taught to sew by nuns in the orphanage to which she was sent aged 11, when her mother died. “Before her, designers weren’t really known,” says Oriole Cullen, curator of modern textiles and fashion and the V&A. “Their names were known, but they weren’t visible figures within society.” Starting out as a seamstress and cabaret singer, before establishing herself as milliner, Chanel later turned her focus to couture fashion and began designing casual clothing for women, inspired by the menswear of the era. “The Chanel brand as it stands [today] is really based on these ideas that she ushered in 100 years ago,” Cullen says, which is where the exhibition title comes from. “The meaning of that is really about a template that Gabrielle Chanel set out at the very beginning of her design career and came back to, reimagined and reinvented throughout her long career of sixty years.” Bringing together nearly 200 outfits, the show features items from the opening of her first millinery boutique in Paris in 1910, to the showing of her final collection, two weeks after she died in 1971. Signature designs on display include little black dresses, tweed suits and quilted leather handbags – the most iconic of which is the 2.55 bag. “The 2.55 has never really gone out of fashion since she designed it in 1955,” Cullen says. “That is fascinating in terms of high fashion, that an object can stay the course for such a long time and still be relevant.” Part of the upper echelons of French society, Chanel initially relied on wealthy lovers, such as French ex-cavalry officer Etienne Balsan and English polo player Arthur Edward ‘Boy’ Capel to fund her boutiques. Later becoming a celebrity in her own right, she amassed a personal fortune, thanks to the success of her fashion, accessories and cosmetics lines. “The perfume Chanel No5 was introduced in 1921, but then introducing make-up in 1924 and skincare in 1927, she was really ahead of her time,” Cullen says. “It’s something she was doing because she was designing for herself.” Chanel is credited with helping to liberate women from the constricting corsets and long skirts that were de rigeur at the turn of the century, and for popularising softer textiles, such as jersey. “She cuts her garments with high armholes, so you can lift your arms over your head,” Cullen continues. “She thinks about fabrics that are practical, and skirt lengths you can move in.” The exhibition – which was originally staged at Paris’s Palais Galliera in 2020 – highlights the brand’s UK and Ireland connections via British Chanel Limited. “This was an umbrella company set up in 1932 to work with an array of British textile manufacturers,” Cullen explains. “From lace in Nottingham, cotton velvets from Manchester, wools from Huddersfield, and also voiles and silks from Carlisle. “One of the other companies she worked with was the Old Bleach Linen Company, which is based in Randalstown in Northern Ireland.” Split into 10 sections, the exhibition concludes with a recreation of the mirrored staircase from Chanel’s Paris atelier. “Gabrielle Chanel used to sit at the top of the stairs when she was having presentations,” Cullen explains. “The models would descend and this faceted mirror would reflect back the audience’s faces to her, so she could read the mood in the room.” Gabrielle Chanel. Fashion Manifesto opens at London’s V&A Museum on September 16. Tickets available at vam.ac.uk/chanel. Read More Charity boss speaks out over ‘traumatic’ encounter with royal aide Ukraine war’s heaviest fight rages in east - follow live 6 times Kate has worn London Fashion Week designers Pro-gamer Jukeyz ‘died for two minutes’ after cardiac arrest which left him ‘scared to sleep’ Young people not snowflakes or wasters, says curator of rebellious fashion exhibition
2023-09-13 15:47
How did Ken Squier die? Legendary Hall of Fame NASCAR announcer who narrated first live race was 88
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2023-11-17 01:47
'Ted Lasso' gives viewers one last reason to believe with its finale
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2023-05-31 20:28
MrBeast reveals how he balances work and his relationship with girlfriend Thea Booysen: 'That's the hardest part'
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2023-06-23 00:27
In his new book 'The Fall,' author Michael Wolff foresees the demise of Fox News
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