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Taylor Swift has released her long-awaited re-recording of her 2014 hit album '1989.' The new release is Swift's fourth re-recorded album, following on from 'Fearless (Taylor's Version),' 'Red (Taylor's Version), and 'Speak Now (Taylor's Version). Swift's purpose in re-recording her back catalogue is so that she can own the copyright to all of the new recordings. This '1989' era marked a swift shift in music genre from country to pop for the singer, a risk that ultimately paid off as '1989' propelled Swift further into mainstream stardom and won the Grammy Award for Album of the Year in 2015. From the feel-good 'Shake It Off' to the anthemic tracks of 'Blank Space,' 'Out of the Woods' and 'Style' to the heartful and cathartic notes of 'This Love' and 'Clean,' Swift explores every avenue of pop. A journey that continues with the five 'From the Vault' tracks with 'Slut!', 'Say Don't Go,' 'Now That We Don't Talk,' 'Suburban Legends,' and 'Is It Over Now?' Now, indy100 is here to listen to '1989 (Taylor's Version) along with you, with commentary on every song as well as fun facts about the album. Welcome to New York October 27, 14:12 Taylor Swift performs at New Year's Eve 2015 at Times Square on December 31, 2014 in New York City. The opening track 'Welcome To New York' gave listeners a glimpse into Swift’s new pop sound with the electronic pop synths kicking things off. Not only does it reflect a change in music genre but also Swift’s literal move from Nashville to New York almost a decade ago as she shared how she fell in love with the city. "I approached moving there with such wide-eyed optimism and sort of saw it [New York] as a place of endless potential and possibilities,” Swift told Good Morning America about the song at the time. “You can kind of hear that reflected in this music and this first song especially." While the lyrics “And you can want who you want/ Boys and boys and girls and girls,” have been interpreted as Swift supporting the LGBT+ community, before she was vocal about her political views. The re-recorded version stays true to the original track with little tweaks to the production as Swift sings with a mature voice.

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Taylor Swift’s third album Speak Now was re-released today as Speak Now (Taylor’s Version) as the multi-award winning artist continues to re-record her catalogue. The new version featured all 14 songs on the original record, as well as six songs ‘from the vault’, which means that Swift wrote them for the album but they didn’t make the cut initially. The album also features artists Fall Out Boy and Hayley Williams from Paramore. When listening to the album fans noticed that Swift had changed a lyric in one of her hit songs. 'Better Than Revenge' is about Swift desiring to get revenge on a romantic rival. The lyric from the original album released in 2010 goes “she’s better known for the things that she does on the mattress.” Which some claimed to be misogynistic and “slutshaming”. So for 'Better Than Revenge (Taylor’s Version)', Swift changed the line to: “he was a moth to flame, she was holding the matches.” Sign up to our free Indy100 weekly newsletter Many praised the change, saying it highlighted Swift’s growth, who was 21 when Speak Now was originally released, whilst some fans mourned the original lyric saying it’s exactly what an 18-year-old would write and the authenticity of it has been damaged. However, the lyric change has led many to re discuss who the song was about in the first place. Whilst it has never been confirmed, it is believed that the song is about Joe Jonas, Swift’s ex, and Camilla Belle, the woman Jonas dated after he broke up with Taylor back in 2008. Belle is an actress and model. In fact, Belle’s niece made a TikTok about the song, explaining that Belle is her dad’s half-sister and that “I love that song, even though it’s about my aunt.” Many viewers left comments asking what Belle thought about the now-changed lyric, but there’s currently been no response. @annirouth Replying to @Carolina theres literally not a lot to say about this haha In 2014, Swift spoke to The Guardian about the lyric saying the she was only 18 when she wrote the song: “That’s the age you are when you think someone can actually take your boyfriend. Then you grow up and realise no one takes someone form you if they don’t want to leave.” Have your say in our news democracy. Click the upvote icon at the top of the page to help raise this article through the indy100 rankings.

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