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Russell Brand has always prided himself on ruffling feathers. Indeed, the ruffle-haired, one-time-winklepicker-championing anti-establishment icon even uses a crow (farting), as the logo for his website and podcast. And yet, his preferred platforms have changed over the years: from London’s stand-up circuit to prime spots on British radio and terrestrial TV, to the Hollywood red carpet, and now to the favourite of every cash-hungry rebel – social media. Yes, the 48-year-old has become a darling of the self-styled “free-speakers” of the internet, with the likes of Andrew Tate, Alex Jones and Tucker Carlson name-checking him as a mainstream-fighting compadre. But really, it seems as though his great talent lies not in speaking truth to power, but in speaking so much and at such speed that you no longer remember what the truth was in the first place. Oh, and he also knows how to write a headline that will whet even a great sceptic’s appetite. With this in mind, indy100 has taken a look at some of the most attention-grabbing titles on his YouTube channel, to see what exactly he’s been peddling: 'Covid Tsar Admits Lockdowns Were NEVER About Science'; 'So, Trump Just Said THIS about Vaccines And it Changes EVERYTHING'; 'The Queen’s Funeral – the HIDDEN Truth THAT NOBODY’s TALKING ABOUT'; 'Bill Gates Has Been HIDING This And It's ALL About To Come Out'. Brand is, evidently, a master of clickbait and adoring followers or, as he likes to call them, his “awakening wonders” – who have helped contribute to him having more than 6 million followers on YouTube alone. His articulately spun monologues, which prance along with rhetorical acrobatics and comic asides at the expense of “big business, big media and big government”. And yet, while he’s railing against world powers’ alleged propensity to mislead and deceive the public, he’s showing off his own skills at influencing others. He boasts that he wouldn’t dare tell his viewers what to think, yet in the same breath – or in the same headline – declares that he’s discussing the “truth” – which, by traditional definitions, should refer to objective, irrefutable fact. In one episode, titled, ‘Joe Rogan UNMASKS CNN’s True Agenda’, which is about the US broadcaster’s relationship with Pfizer, he says: “You can decide for yourself whether you think there's a connection between the stance of particular media organisations and the kind of financial partnerships that they have.” However, after playing a reel showing programmes on the network which are “sponsored by Pfizer”, he stresses: “But once you've seen that bloody montage, it's like the scales fall from your eyes surely, don't they?” Oh, but then he quickly adds: “But that's just what I think. What do you think?” Most recently, Brand proved he’d secured the unfaltering loyalty of his fanbase by openly addressing the allegations of rape and sexual assault made against him. In a video titled ‘So, This Is Happening’ and delivered in his usual no-pause-for-breath style, the presenter announced: “This isn't the usual type of video we make on this channel where we critique, attack and undermine the news in all its corruption because in this story, I am the news. “I've received two extremely disturbing letters or a letter and an email, one from a mainstream media TV company, one from a newspaper listing a litany of extremely egregious and aggressive attacks, as well as some pretty stupid stuff like my community festival should be stopped, that I shouldn't be able to attack mainstream media narratives on this channel. “But amidst this litany of astonishing rather baroque attacks are some very serious allegations that I absolutely refute. These allegations pertain to the time when I was working in the mainstream, when I was in the newspapers all the time when I was in the movies, and as I've written about extensively in my books, I was very, very promiscuous. “Now, during that time of promiscuity, the relationships I had were absolutely always consensual. I was always transparent about that. Then almost too transparent, and I'm being transparent about it now as well, and to see that transparency metastasized into something criminal that I absolutely deny makes me question, is there another agenda at play?” He then went on to describe previous “coordinated media attacks” targeted at the likes of Joe Rogan. Then, channeling Andrew Tate’s “Matrix” narrative, he continued: “I'm aware that you guys have been saying in the comments for a while, ‘Watch out, Russell, they're coming for you. You're getting too close to the truth.” Finally, after suggesting that a “serious and concerted agenda” had been launched to “control” voices and platforms such as his, he urged his followers to “stay close, stay awake” and, most importantly, “stay free”. His statement was met with an instant flood of support, with one writing: “We support you, [it's] obvious this was going to happen, in fact inevitable.” The only real inevitability here is that his legions of admirers would respond in this way. Birds of a feather flock together, as they say. Sign up for our free Indy100 weekly newsletter Have your say in our news democracy. Click the upvote icon at the top of the page to help raise this article through the indy100 rankings.

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Hollywood’s actors and writers have both gone on strike for the first time since 1960 to protest against a number of decisions by major studios that include not just job cuts but also a potentially unsettling future in which they could be replaced by artificial intelligence. The leaders of SAG-AFTRA, the Hollywood union representing 160,000 television and movie actors, went on strike on Thursday, joining the industry’s screenwriters who have already been picketing for over 70 days. Among the many issues flagged by both the writers and actors in the protests has been how generative AI tools could replace their roles in the industry. Over the last decade, AI has found several uses in the movie and television industry, from de-aging actors, analysing patterns and behaviours of viewers on streaming platforms, bringing back the voices of late actors and even helping stitch together entire movie trailers. One of the proposals, as explained by SAG-AFTRA’s national executive director and chief negotiator Duncan Crabtree-Ireland, feels like it is straight out of dystopian science fiction series Black Mirror. During a press conference on Thursday, Mr Crabtree-Ireland alleged that a proposal from Hollywood studios was to use “groundbreaking AI” to scan background performers and only offer them a day’s pay while the companies get to own the scans and use them for any project they want. “This ‘groundbreaking’ AI proposal that they gave us yesterday, they proposed that our background performers should be able to be scanned, get one day’s pay, and their companies should own that scan, their image, their likeness and should be able to use it for the rest of eternity on any project they want, with no consent and no compensation,” the executive said. “If you think that’s a groundbreaking proposal, I suggest you think again,” Mr Crabtree-Ireland said. A statement from the Alliance of Motion Picture and Television Producers (AMPTP), that represents the studios, claims the “groundbreaking AI” proposal “protects actors’ digital likenesses for SAG-AFTRA members”. “We are being victimized by a very greedy enterprise... The entire business model has been changed by streaming and AI If we don’t stand tall right now, we are all going to be in jeopardy,” the actors’ guild president Fran Drescher said on Thursday. Follow along here for real-time updates on the SAG-AFTRA strike Writers who have already been protesting since May have also sought assurances from studios that their jobs would not be threatened by AI. With the steady rise of online streaming services looking to rack up user subscriptions by churning out endless amounts of digital content, writers on strike have sought new pay structures, guaranteed periods of work as well as better discussions on the limits of AI use. Members of the Writers Guild of America (WGA) shared concerns that producers may seek to use AI to write scripts or at least use the technology to complete unfinished screenplays, and have also urged production houses to agree to safeguards around its usage. Screenwriters fear AI could be used to churn out a rough first draft with a few simple prompts and writers may then be hired after this initial step to punch such drafts up – albeit at a lower pay rate. Without further dialogue with studios, writers have raised concerns there could be a number of new ways that AI could be used to craft outlines for stories, fill in scenes and even come up with mock-up drafts. “There are ways it can be useful. But too many people are using it against us and using it to create mediocrity. They’re also in violation of copyright. They’re also plagiarizing,” Michael Winship, president of the WGA East, said in May. With these risks in mind, the WGA seeks more safeguards on how AI can be applied to the screenwriting process. Read More Hollywood actors and writers strike after ‘disgusting’ studios turn down deal. Here’s what it means for you Hollywood in historic shutdown as actors union joins writers strike: ‘The eyes of the world are upon us’ Cast of Oppenheimer walk out of UK premiere ahead of actors’ strike announcement What happens next as striking actors send Hollywood into meltdown? Issa Rae and Jamie Lee Curtis lead A-listers voicing support for actors strike Hollywood in historic shutdown as actors union joins writers strike